Andong Wang explores the ways in which drawing and painting can serve as vectors for expression. Built up through vigorous brushwork and subtle lines, his works combine analytic rigor and intuition, reflecting a rich inner world.
“The eternal soul of ancient China dances at night in Montréal’s Chinatown.” When La Revue Moderne wrote about Chinatown in 1937, it painted an exotic image of a neighbourhood that remains a distinctive area of downtown Montréal.
In the 1970s, leaders of Montréal’s Chinese community rallied to save a large part of Chinatown from the threat of demolition.
Women’s Stories of Immigration is an oral history project produced by the Collectif des femmes immigrantes du Québec (Le Collectif) and the MEM – Centre des mémoires montréalaises.
Few culinary experiences can match the eclectic offerings and rapid service of a cha chaan teng (茶餐廳, “tea restaurant”).
Submitting an Existing Project for Presentation in the MEM Kiosque